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Vol I, No. 1 (June 2007)

George Hornbein, "A New Museum for Denver"

Giuseppe Gavazza, "The Contemporaneity of Music"

Philip Auslander, "The Artist's Presentation of Self: Annie Leibovitz at the High Museum"





Vol. I, No. 2 (July 2007)

A video essay on the 52nd Venice Biennale by artist Daniele Frison

Composer Giuseppe Gavazza on sound at the Venice Biennale

Art Historian Shepherd Steiner on curation at Documenta XII

Cultural Critic Philip Auslander on Skulptur Projekte Münster 07



Vol. I, No. 3 (August 2007)

Cultural Critic Philip Auslander visits the NEW World of Coca-Cola

Artist and Critic John Perreault on a New Paradigm for Art

Artist and Writer Deanna Sirlin's notes on this Summer's Art in Europe





Vol I, No. 4 (September 2007)

Introduction to the Special Issue, by Deanna Sirlin

Scoreless, audio works by Giuseppe Gavazza

"The Sound and the Theory: Intermedia as Construct, Intermedia as Category" by Peter Frank

Poems from the Cuba Libre Series by David Schuster

Vol I, No. 5 (October 2007)

Introduction to the Issue, by Deanna Sirlin

"Code Z, Arts Reporting, and the End of Black Art," by Cinqué Hicks

"Harry Callahan," by George Hornbein

"Invisible Music," by Giuseppe Gavazza

Vol I, No. 6 (November/December 2007)

Introduction to the Issue, by Deanna Sirlin

A Video Essay on Zaha Hadid's Dune Formations by Daniele Frison

"The Use and Abuse of the Term 'Experimental' in Art and Performance," by Jon Erickson

"Pictures of an Exhibition," by Giuseppe Gavazza

Vol II, No. 1 (January 2008)

Introduction to the Issue by Deanna Sirlin

An Interview with Paul Pfeiffer by Philip Auslander

"Music With A View: Jane Rigler's To Painting" by H. Cecilia Suhr

"Locational Identity: Thermostat at Art Basel/Miami" by Danielle Roney

Vol II, No. 2 (February 2008)

Introduction to the Issue by Deanna Sirlin

The Unrecovered: A Film by Roger Copeland

Two Perspectives on the São Paulo Bienal, from Deanna Sirlin and Christina Roiter

"The History of Rock Music in the 1970s, Or, Whatever Happened to Glam?" by Philip Auslander